- BPM
- 61
- Key
- E♭ Minor
- Camelot
- 2A
Manfred, Op. 115: Overture - Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz Information
- Acousticness
- 95%
- Danceability
- 9%
- Energy
- 9%
- Instrumentalness
- 90%
- Liveness
- 11%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 5%
- Loudness
- -22.128 dB
Summary
"Manfred, Op. 115: Overture" by Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz was released on August 7, 2012. Manfred, Op. 115: Overture appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Schumann: Manfred: Overture - Piano Concerto - Overture, Scherzo and Finale". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Manfred, Op. 115: Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Manfred, Op. 115: Overture BPM
With Manfred, Op. 115: Overture by Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Manfred, Op. 115: Overture Key
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Melodie | Alessandra Ammara, Robert Schumann, N/A | C Major | 0 | 8B | 68 BPM | |
 | 24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | |
 | Piano Sonata No. 1 in F Minor, Op. 2, No. 1: II. Adagio | Ludwig van Beethoven, Igor Levit | F Major | 0 | 7B | 67 BPM | |
 | Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | |
 | Piano Concerto No. 12 in A Major, K. 414: II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | D Major | 0 | 10B | 112 BPM | |
 | 3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | |
 | Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | |
 | Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | |
 | 6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM |
- ISRC
- HKI191126701
- Label
- L-M Records/RCA Records
Section: 0.6417086124420166
End: 0.6453745365142822