Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka's 'Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante' came out on February 5, 1988. Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka's "Mozart: Kleine Nachtmusik (Eine) / Serenata Notturna / Divertimento No. 10" album is number 2 out of 13. Based on our statistics, Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante by Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Méditation | Herbert von Karajan, Anne-Sophie Mutter, Berliner Philharmoniker | E Minor | 1 | 9A | 99 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | B♭ Major | 1 | 6B | 121 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VII. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 169 BPM | ||
Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
Der Stein der Weisen, Act I: Introduction. Ihr Mädchen! Ihr Jünglinge! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Chris Pedro Trakas, Kevin Deas, Jane Giering-De Haan, Judith Lovat, Paul Austin Kelly | F Major | 1 | 7B | 95 BPM | ||
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | C Major | 1 | 8B | 131 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM |
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