"Belle nuit, ô nuit d'amour (from "Les contes d'Hoffmann")" by Jacques Offenbach, Lars Payne was released on September 29, 2003. The duration of Belle nuit, ô nuit d'amour (from "Les contes d'Hoffmann") is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Belle nuit, ô nuit d'amour (from "Les contes d'Hoffmann")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Spirit of the Times 1850-1939". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Belle nuit, ô nuit d'amour (from "Les contes d'Hoffmann") is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Belle nuit, ô nuit d'amour (from "Les contes d'Hoffmann") by Jacques Offenbach, Lars Payne having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait) | Budapest Symphony Orchestra | A Minor | 0 | 8A | 125 BPM | ||
Deh, vieni alla finestra | Dawid Kimberg | D Major | 0 | 10B | 69 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, BBC Concert Orchestra, Barry Wordsworth | D♭ Major | 2 | 3B | 87 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) - "Messieurs, silence!" - "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Patricia Petibon, Karine Deshayes, Choeur De l'Opéra National De Lyon, Orchestre De L'Opéra National De Lyon, Yves Abel | D Major | 1 | 10B | 51 BPM | ||
Danse bohémienne, Op. 28 | Jacques Offenbach, Raphaela Gromes, Julian Riem | D Major | 1 | 10B | 150 BPM | ||
Thomas's Egmont for Harley, Hubcaps and Orchestra | Hollywood Studio Orchestra | F Minor | 4 | 4A | 178 BPM | ||
Schwanengesang, D. 957: No. 4, Serenade - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | D Major | 0 | 10B | 67 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM | ||
Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | ||
Harmonies des bois, Op. 76: No. 2, Les Larmes de Jacqueline (Version for Cello & Orchestra) | Jacques Offenbach, Munich Chamber Orchestra, Werner Thomas-Mifune, Hans Stadlmair | C Major | 1 | 8B | 89 BPM |
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