Budapest Symphony Orchestra's 'Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait)' came out on January 8, 2018. The duration of Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Armand Amar's "Le concert" album is number 7 out of 18. On top of that, France appears to be the country where this track was created. Based on our statistics, Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait) by Budapest Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Gautier Capuçon, Michel Dalberto | G Major | 1 | 9B | 85 BPM | ||
Summer 2 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | G Minor | 2 | 6A | 90 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Hae Won Chang, Budapest Symphony Orchestra, Tamas Pal | F Major | 0 | 7B | 70 BPM | ||
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
7 Folk Songs: No. 7. Bulbul | Ulvi Cemal Erkin, Mustafa Iktu, Budapest Symphony Orchestra, Hikmet Şimşek | C Minor | 1 | 5A | 123 BPM | ||
Chant des oiseaux | Pablo Casals, Les Violoncelles Francais | A Minor | 1 | 8A | 88 BPM | ||
Fidelio, Op. 72: Act I: March | Ludwig van Beethoven, Reiner Goldberg, Bulgarian National Svetoslav Obretenov Choir, Budapest Symphony Orchestra, Sofia Philharmonic Orchestra, Staatskapelle Berlin, Tamas Pal, Siegfried Kurz, Georgi Robev | D♭ Major | 0 | 3B | 62 BPM | ||
Waltz In A Minor Opus Posth. Kk4B No. 11 - Allegretto | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | ||
Morning of Departure | Kentaro Sato, Budapest Symphony Orchestra | G Major | 2 | 9B | 73 BPM | ||
Turandot, Act III: Nessun dorma! | Giacomo Puccini, Ramón Vargas, Budapest Symphony Orchestra, Riccardo Frizza | D♭ Minor | 1 | 12A | 174 BPM |
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