"Harmonies des bois, Op. 76: No. 2, Les Larmes de Jacqueline (Version for Cello & Orchestra)" by Jacques Offenbach, Munich Chamber Orchestra, Werner Thomas-Mifune, Hans Stadlmair was released on January 1, 2016. Since Harmonies des bois, Op. 76: No. 2, Les Larmes de Jacqueline (Version for Cello & Orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Werner Thomas-Mifune, Hans Stadlmair, Munich Chamber Orchestra's "Harmonies du Soir" album is number 1 out of 13. On top of that, Germany appears to be the country where this track was created. Harmonies des bois, Op. 76: No. 2, Les Larmes de Jacqueline (Version for Cello & Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Harmonies des bois, Op. 76: No. 2, Les Larmes de Jacqueline (Version for Cello & Orchestra) by Jacques Offenbach, Munich Chamber Orchestra, Werner Thomas-Mifune, Hans Stadlmair to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 82 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Solveig's song | Edvard Grieg, Anna Netrebko | A Minor | 1 | 8A | 173 BPM | ||
Le carrosse aux cygnes (Arr. Camille & Julie Berthollet & Samuel Pegg d'après Les contes d'Hoffmann de Jacques Offenbach) | Camille Berthollet, Jacques Offenbach, Julie Berthollet, Samuel Pegg, Gavin Greenaway, Puy du Fou Orchestra | G Minor | 2 | 6A | 139 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Gaîté parisienne: Overture | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | D Major | 3 | 10B | 138 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM |
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