"Schwanengesang, D. 957: No. 4, Serenade - Arr. for Arpeggione and Piano" by Franz Schubert, Anne Gastinel, Claire Désert was released on September 20, 2005. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Schubert: Arpeggione, Sonatina & Lieder Transcriptions". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Schwanengesang, D. 957: No. 4, Serenade - Arr. for Arpeggione and Piano is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanengesang, D. 957: No. 4, Serenade - Arr. for Arpeggione and Piano by Franz Schubert, Anne Gastinel, Claire Désert having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Richter: The Leftovers: She Remembers | Max Richter, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Minor | 0 | 11A | 172 BPM | ||
Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) | Edward Elgar, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 83 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第15曲 嫉妬と誇り | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Minor | 2 | 6A | 124 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Bamberg Symphony, Jakub Hrůša | G Major | 1 | 9B | 71 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
La foule | Gautier Capuçon, Jerome Ducros, Orchestre de chambre de Paris, Lionel Bringuier | A Minor | 3 | 8A | 104 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM |
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