"Concerto in G major Seibel 217: 4. Allegro" by Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 1993. Since Concerto in G major Seibel 217: 4. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel's "Heinichen: Dresden Concerti" album is number 17 out of 50. In terms of popularity, Concerto in G major Seibel 217: 4. Allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto in G major Seibel 217: 4. Allegro by Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Suite Les Indes Galantes / Les Turcs: 10. Ritournelle pour "Le Turc généreux" | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | G Minor | 2 | 6A | 92 BPM | ||
Sinfonia No. 1 in D Major (arrangement of oratorio sinfonia Il martirio di San Terenziano): I. A tempo guisto e staccato | Antonio Caldara, Bárbara Sela, Carlos Garcia-Bernalt, University of Salamanca Baroque Orchestra, Angel Sampedro | A♭ Minor | 3 | 1A | 120 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": III. Presto ma non molto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | A Major | 4 | 11B | 115 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro primo, Concerto No. 3 in D Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, David Plantier, Hendrike ter Brugge | D♭ Minor | 3 | 12A | 76 BPM | ||
Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro | Francesco Antonio Bonporti, London Baroque | F♯ Minor | 2 | 11A | 108 BPM |
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