Antonio Caldara, Bárbara Sela, Carlos Garcia-Bernalt, University of Salamanca Baroque Orchestra, Angel Sampedro made "Sinfonia No. 1 in D Major (arrangement of oratorio sinfonia Il martirio di San Terenziano): I. A tempo guisto e staccato" available on December 1, 2012. With Sinfonia No. 1 in D Major (arrangement of oratorio sinfonia Il martirio di San Terenziano): I. A tempo guisto e staccato being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 40 in Antonio Caldara: 12 Sinfonie a quatrro by Antonio Caldara, Angel Sampedro. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Sinfonia No. 1 in D Major (arrangement of oratorio sinfonia Il martirio di San Terenziano): I. A tempo guisto e staccato's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sinfonia No. 1 in D Major (arrangement of oratorio sinfonia Il martirio di San Terenziano): I. A tempo guisto e staccato by Antonio Caldara, Bárbara Sela, Carlos Garcia-Bernalt, University of Salamanca Baroque Orchestra, Angel Sampedro is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture In G Minor: I. Ouverture | Johann Bernhard Bach, Ensemble Masques | G Major | 1 | 9B | 128 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Sinfonia in C major: II. Adagio | Domenico Scarlatti, Margret Köll/Europa Galante/Fabio Biondi, Europa Galante | F♯ Major | 0 | 2B | 36 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Tiento de octavo modo | Jeronimo de Peraza, Carlos Garcia-Bernalt | C Major | 2 | 8B | 70 BPM | ||
Airs for the Summer: Myrtle: III. Minuetto: Vivace | James Oswald, The Broadside Band | A Major | 2 | 11B | 0 BPM | ||
Viola da gamba Sonata in D Major, A2:50: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | D♭ Major | 3 | 3B | 97 BPM | ||
Airs for the Autumn: Marvel of Peru: III. Musette: Allegro moderato | James Oswald, The Broadside Band | F♯ Major | 1 | 2B | 72 BPM | ||
Trio Sonata in D Minor, Op. 3 No. 5: II. Allegro | Arcangelo Corelli, Ensemble Aurora, Enrico Gatti | F♯ Minor | 0 | 11A | 136 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |
Section: 0.5502533912658691
End: 0.5543971061706543