"Communion Service in C Major: Agnus Dei" by John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice was released on December 4, 2012. The duration of Communion Service in C Major: Agnus Dei is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Communion Service in C Major: Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Ireland, Lincoln Cathedral Choir, Aric Prentice's "Ireland: Church Music" album is number 7 out of 25. Communion Service in C Major: Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Communion Service in C Major: Agnus Dei by John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fem Latinske Kirkekor: 1. Jubilate Deo Omnis Terra | Arild Sandvold, Kåre Hanken, Schola Cantorum | A♭ Major | 1 | 4B | 94 BPM | ||
グレゴリオ聖歌による4つのモテット作品10よりトータ・プルクラ・エス御身はすべてが美しくあり給う Quatre Motets sur des thémes grégoriens, Op. 10 II. Tota pulchra es | Girl Choristers, Sarah Baldock Conductor, Lay Clerks of Winchester Cathedral | G Minor | 0 | 6A | 64 BPM | ||
Drop down, ye heavens, from above | Judith Weir, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D Minor | 1 | 7A | 77 BPM | ||
Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM | ||
The Hills | John Ireland, Hallé, Lyn Fletcher, Halle Choir, Sir Mark Elder | B♭ Major | 1 | 6B | 70 BPM | ||
2 Songs: No. 1. Tryst (In Fountain Court) | John Ireland, Roderick Williams, Iain Burnside | B♭ Major | 0 | 6B | 163 BPM | ||
Psalm 82 "God Standeth in the Congregation of Princes" | Philip Marshall, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | E Minor | 1 | 9A | 82 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
Lord, for thy tender mercy's sake | Richard Farrant, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | A♭ Major | 0 | 4B | 78 BPM | ||
O Lord, Thou Hast Searched Me Out, and Known Me (Psalm 139) | Highmore Skeats, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | E♭ Major | 2 | 5B | 84 BPM |
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