"Psalm 82 "God Standeth in the Congregation of Princes"" by Philip Marshall, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice was released on 2014. The duration of Psalm 82 "God Standeth in the Congregation of Princes" is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Psalm 82 "God Standeth in the Congregation of Princes"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "The Complete Psalms of David, Series 2 Vol. 6". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Psalm 82 "God Standeth in the Congregation of Princes" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 82 "God Standeth in the Congregation of Princes" by Philip Marshall, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Aberystwyth "Jesu, Lover of My Soul" | Joseph Parry, St. Chad's Cathedral Choir, Nigel Morris, David Saint | F♯ Minor | 2 | 11A | 109 BPM | ||
O Danny boy - SATB | Bob Chilcott, The Oxford Choir | D Major | 0 | 10B | 135 BPM | ||
Psalm 82 "God Standeth in the Congregation of Princes" | Philip Marshall, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | E Minor | 1 | 9A | 82 BPM | ||
Best Room | Nicolas Fayolle | B♭ Major | 1 | 6B | 85 BPM | ||
Psalm 8: Psalm VIII | Henry Lawes, Choir of St John's, Elora, Michael Bloss, Noel Edison | C Major | 2 | 8B | 131 BPM | ||
4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
In the Lord | Rejike | D Major | 0 | 10B | 74 BPM | ||
Mass for Four Voices: II. Gloria in excelsis | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | F♯ Minor | 1 | 11A | 81 BPM | ||
Seraphic Whispers | LeoRoads | F♯ Minor | 1 | 11A | 80 BPM |
Section: 0.9111669063568115
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