- BPM
- 84
- Key
- C Minor
- Camelot
- 5A
A Shepherd's Song - Andrew T. Miller, Robert McPherson, Andrew Miller Information
- Acousticness
- 97%
- Danceability
- 15%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 4%
- Loudness
- -17.903 dB
Summary
"A Shepherd's Song" by Andrew T. Miller, Robert McPherson, Andrew Miller was released on November 6, 2007. Since A Shepherd's Song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Birth of Christ". In this album, this song's track order is #12. A Shepherd's Song is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
A Shepherd's Song BPM
With A Shepherd's Song by Andrew T. Miller, Robert McPherson, Andrew Miller having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Shepherd's Song Key
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem in D Minor, Op. 48: Introit et Kyrie | Gabriel Fauré, Seiji Ozawa | C Major | 0 | 8B | 128 BPM | |
 | Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 0 | 10B | 60 BPM | |
 | Messa da Requiem: VII Requiem aeternam | Cesar Hernandez, Hungarian State Opera Orchestra, Elena Filipova, Hungarian State Opera Chorus, Gloria Scalchi, Carlo Colombara | E Major | 6 | 12B | 115 BPM | |
 | Requiem, Op. 48: V. Pie Jesus | Gabriel Fauré, Christiane Oelze, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | B♭ Major | 0 | 6B | 79 BPM | |
 | Stabat Mater, FP 148: 7. Eja mater | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E♭ Major | 3 | 5B | 98 BPM | |
 | Seven Last Words - Sixth Word - Theodore Dubois | Theodore Dubois, Exultate | A♭ Major | 1 | 4B | 174 BPM | |
 | The Mission Chorales: Chorale 5 | George Martin, Berlin Music Ensemble, Craig Leon | E Minor | 1 | 9A | 116 BPM | |
 | Annelies (chamber version): II. The capture foretold | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 101 BPM | |
 | Carmina Burana: In trutina | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 1 | 10B | 105 BPM | |
 | Party Rally | Dominic Muldowny | F Major | 2 | 7B | 128 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6737015247344971
End: 0.6792144775390625