"Requiem, Op. 48: 7. In paradisum" by Gabriel Fauré, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1988. The duration of Requiem, Op. 48: 7. In paradisum is about 3 minutes long, at 3:13. Based on our data, "Requiem, Op. 48: 7. In paradisum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 12 in Fauré: Requiem; Pelléas et Mélisande; Pavane for Orchestra and Choir by Gabriel Fauré, Kiri Te Kanawa, Sherrill Milnes, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit. Requiem, Op. 48: 7. In paradisum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 48: 7. In paradisum by Gabriel Fauré, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Syrinx | Jadwiga Kotnowska | F♯ Major | 0 | 2B | 80 BPM | ||
Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Zion hort die Wachter singen (Chorus) | Johann Sebastian Bach, Henriette Schellenberg, David Gordon, Daniel Lichti, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld | F Minor | 1 | 4A | 75 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Requiem, Op.48: 6. Libera me (Bariton, Chorus) | Gabriel Fauré, Andreas Schmidt, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | E♭ Minor | 1 | 2A | 127 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III Scene 5: Tanz der Lehrbuben | Richard Wagner, Sofia Symphony Orchestra, Vassil Kazandjiev | B♭ Major | 1 | 6B | 187 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude | Johann Sebastian Bach, The Tabernacle Choir at Temple Square, Philadelphia Orchestra, Eugene Ormandy | G Major | 2 | 9B | 71 BPM |
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