"Annelies (chamber version): II. The capture foretold" by James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan was released on January 22, 2013. The duration of Annelies (chamber version): II. The capture foretold is about 3 minutes long, at 3:12. Based on our data, "Annelies (chamber version): II. The capture foretold" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Whitbourn: Annelies by James Whitbourn, Arianna Zukerman, James Jordan. The song's track number on the album is #2 out of 14 tracks. In terms of popularity, Annelies (chamber version): II. The capture foretold is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Annelies (chamber version): II. The capture foretold by James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Annelies (chamber version): II. The capture foretold being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Learned Poets - Mixed voices | Bob Chilcott, The Oxford Choir | B♭ Major | 2 | 6B | 131 BPM | ||
Messiah, HWV 56: Part II: Recitative: Unto which of the angels said He at any time (Tenor)- Let all the angels of God worship Him (Chorus) | George Frideric Handel, Arianna Zukerman, Daniel Taylor, Steven Tharp, William Sharp, American Bach Soloists Choir, American Bach Soloists Orchestra, Jeffrey Thomas | D♭ Major | 1 | 3B | 58 BPM | ||
Wesley: And Can It Be That I Should Gain (Sagina) - 3. He Left His Father's Throne Above | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 1 | 9B | 75 BPM | ||
Go Tell John | Anthony Glick, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): V. Quoniam tu solus sanctus | Philip Stopford, Grace Davidson, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Annunciation | John Tavener, Choir, The, James Whitbourn | D Major | 2 | 10B | 134 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: He sent a thick darkness over all the land (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Weep, O mine eyes - Mixed voices | Bob Chilcott, The Oxford Choir | E Major | 1 | 12B | 94 BPM | ||
Son of God Mass: VI. Sanctus & Benedictus | James Whitbourn, Krzysztof Urbaniak, Łódź Philharmonic Choir, Dawid Ber | F Major | 1 | 7B | 68 BPM | ||
Purge Me From My Sin | The Concordia Choir | F♯ Minor | 1 | 11A | 73 BPM |
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