"Weep, O mine eyes - Mixed voices" by Bob Chilcott, The Oxford Choir was released on September 23, 2022. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 4 in Bob Chilcott: Little Jazz Madrigals by Bob Chilcott, Oxford University Press Music. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Weep, O mine eyes - Mixed voices is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Weep, O mine eyes - Mixed voices by Bob Chilcott, The Oxford Choir is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
Aesop's Fables: No. 1. The Hare and the Tortoise | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | G Major | 1 | 9B | 70 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
God So Loved the World | Bob Chilcott, BYU Concert Choir, Rosalind Hall | G Minor | 1 | 6A | 62 BPM | ||
Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM | ||
Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
Sit Down Servant, Stacey V. Gibbs | Augustana Choir, Jon Hurty | E Minor | 2 | 9A | 94 BPM | ||
The Heaven's Flock | Portland State Chamber Choir, Ethan Sperry | E♭ Major | 2 | 5B | 127 BPM |
Section: 0.732891321182251
End: 0.7374458312988281