"Carmina Burana: In trutina" by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas was released on 1975. The duration of Carmina Burana: In trutina is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Carmina Burana: In trutina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Orff: Carmina Baruna". In this album, this song's track order is #22. In terms of popularity, Carmina Burana: In trutina is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: In trutina by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | D Major | 1 | 10B | 129 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Doriot Anthony Dwyer, Boston Symphony Orchestra, Michael Tilson Thomas | A♭ Minor | 1 | 1A | 89 BPM | ||
Tosca / Act 3: "Presto, su! Mario!" | Giacomo Puccini, Mirella Freni, Michel Sénéchal, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | E♭ Minor | 3 | 2A | 82 BPM | ||
Bizet: Carmen: La cloche a sonne - Act One | Georges Bizet, Covent Garden Chorus | E Major | 2 | 12B | 58 BPM | ||
They are at rest | Edward Elgar, Choir of Clare College, Cambridge, Graham Ross | B Minor | 0 | 10A | 84 BPM | ||
Stabat Mater, FP 148: 6. Vidit suum | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | C Major | 1 | 8B | 103 BPM | ||
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 105 BPM | ||
Tantum ergo, Op. 55 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | A Major | 1 | 11B | 78 BPM |
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