"Requiem, Op. 48: V. Pie Jesus" by Gabriel Fauré, Christiane Oelze, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard was released on March 1, 2005. The duration of Requiem, Op. 48: V. Pie Jesus is about 3 minutes long, at 3:15. Based on our data, "Requiem, Op. 48: V. Pie Jesus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 14 in Fauré: Requiem by Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Requiem, Op. 48: V. Pie Jesus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 48: V. Pie Jesus by Gabriel Fauré, Christiane Oelze, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harmony of the Spheres: III. Third Movement II | Joep Franssens, Netherlands Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | D♭ Major | 2 | 3B | 112 BPM | ||
Song for Athene | John Tavener, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 84 BPM | ||
Standchen | Aafje Heynis, Netherlands Chamber Choir | E♭ Major | 1 | 5B | 121 BPM | ||
Laudes de Saint Antoine de Padoue: III. Laus Regi | Francis Poulenc, Netherlands Chamber Choir | E♭ Major | 0 | 5B | 73 BPM | ||
St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 2 (Nach der Predigt): Choral: Du edles Angesichte | Johann Sebastian Bach, Christiane Oelze, Rosemarie Lang, Peter Schreier, Leipzig Favorit- Und Capellchor, New Bach Collegium Musicum Leipzig | B Minor | 1 | 10A | 69 BPM | ||
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
Trois poemes de Paul Velery: I. Aurore | Jean Françaix, Netherlands Chamber Choir | E Major | 3 | 12B | 78 BPM | ||
The Lamb | John Tavener, Vasari Singers, Jeremy Backhouse | E Minor | 0 | 9A | 183 BPM | ||
Five Flower Songs, Op. 47: I. To Daffodils | Benjamin Britten, Netherlands Chamber Choir | A Major | 1 | 11B | 126 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM |
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