"Lucia di Lammermoor (1997 Digital Remaster): Verranno a te sull'aure i miei sospiri ardenti" by Gaetano Donizetti, Maria Callas, Herbert von Karajan, RIAS Sinfonie-Orchester Berlin was released on August 30, 1997. With this song being about 5 minutes long, at 4:53, "Lucia di Lammermoor (1997 Digital Remaster): Verranno a te sull'aure i miei sospiri ardenti" by Gaetano Donizetti, Maria Callas, Herbert von Karajan, RIAS Sinfonie-Orchester Berlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 35 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan. The popularity of Lucia di Lammermoor (1997 Digital Remaster): Verranno a te sull'aure i miei sospiri ardenti is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor (1997 Digital Remaster): Verranno a te sull'aure i miei sospiri ardenti by Gaetano Donizetti, Maria Callas, Herbert von Karajan, RIAS Sinfonie-Orchester Berlin is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Bizet: Carmen, Act 2: "Votre toast, je peux vouz le rendre"/ "Toréador, en garde!" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christian Van Horn, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel Frenkel | F Major | 2 | 7B | 111 BPM | ||
Linda di Chamounix: O luce di quest'anima | Gaetano Donizetti, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg | A♭ Major | 2 | 4B | 141 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | D♭ Major | 1 | 3B | 87 BPM | ||
L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
Mascagni: Cavalleria rusticana: "Regina coeli" | Pietro Mascagni, Angela Gheorghiu, Emmanuel Villaume, PKF-Prague Philharmonia | G Major | 3 | 9B | 52 BPM |
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