"La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir" by Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno was released on March 20, 2007. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 Best Maria Callas, so we believe that "La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir" is a single. La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir by Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sposa, son disprezzata | Montserrat Caballé | F Minor | 1 | 4A | 106 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Plácido Domingo, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | B Minor | 4 | 10A | 84 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 176 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Carmen, Act I: No.10 Séguidille et Duo : Près des ramparts de Séville (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 90 BPM | ||
Tosca, Act 2: "vissi D'arte" | Birgit Nilsson | A Major | 1 | 11B | 66 BPM | ||
Rigoletto - Bella Figlia Dell'Amore | Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita Rinaldi | D♭ Major | 2 | 3B | 61 BPM |
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