Gaetano Donizetti, Juan Diego Flórez, Avi Avital, Ksenija Sidorova, Carlo Tenan made "Amor Marinaro (Me voglio fa’ ‘na casa)" available on August 7, 2015. The duration of Amor Marinaro (Me voglio fa’ ‘na casa) is about 3 minutes long, at 3:09. Based on our data, "Amor Marinaro (Me voglio fa’ ‘na casa)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Juan Diego Flórez's "Italia" album is number 3 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Amor Marinaro (Me voglio fa’ ‘na casa) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Amor Marinaro (Me voglio fa’ ‘na casa) by Gaetano Donizetti, Juan Diego Flórez, Avi Avital, Ksenija Sidorova, Carlo Tenan to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Ancor non giunse?" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | A Major | 1 | 11B | 184 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
Im chambre séparée | Richard Heuberger, Anna Netrebko, Piotr Beczala | D Major | 1 | 10B | 171 BPM | ||
LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry) | Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Josef Metternich/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | B♭ Minor | 1 | 3A | 178 BPM | ||
Don Giovanni / Act 1: "Giovinette, che fate all'amore" | Wolfgang Amadeus Mozart, Hilde Gueden, Walter Berry, Vienna State Opera Chorus, Wiener Philharmoniker, Josef Krips | G Major | 4 | 9B | 95 BPM | ||
Lucia di Lammermoor / Act 2: "Lucia, fra poco a te verrà" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
Torna a Surriento | Ernesto de Curtis, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | E Major | 2 | 12B | 91 BPM |
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