LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry)
Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Josef Metternich/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker
Donizetti: Lucia di Lammermoor [Electrola Querschnitte]
1:01 April 12, 2013
BPM
178
Key
B♭ Minor
Camelot
3A

Embed

Share Link

LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry) - Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Josef Metternich/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker Information

Acousticness
94%
Danceability
22%
Energy
7%
Instrumentalness
0%
Liveness
67%
Loudness
65%
Speechiness
4%
Valence
13%
Popularity
Loudness
-21.168 dB

Summary

"LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry)" by Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Josef Metternich/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker was released on April 12, 2013. With LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 16 in Donizetti: Lucia di Lammermoor [Electrola Querschnitte] by Walter Scott, Salvatore Cammarano, Gaetano Donizetti, Erika Köth/Josef Metternich/Gottlob Frick/Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry) BPM

The tempo marking of LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry) by Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Josef Metternich/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry) Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Carmen, WD 31 / Act I: Chanson et Duo: Carmen, WD 31 / Act I: Chanson et Duo: "Près des remparts de Séville"Georges Bizet, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio AbbadoD Major010B76 BPM
La Traviata - Act. Iii - Addio Del Passato by Renata ScottoLa Traviata - Act. Iii - Addio Del PassatoRenata ScottoA Minor18A72 BPM
Miniera by Leo Nucci, Salotto Ottocento EnsembleMinieraLeo Nucci, Salotto Ottocento EnsembleA Major211B119 BPM
Adriana Lecouvreur: Act Ii L'anima Ho Stanca by Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo BasileAdriana Lecouvreur: Act Ii L'anima Ho StancaFranco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo BasileB Minor410A101 BPM
Samson et Dalila, Op.47, R. 288 / Act 2: Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix"Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo RizziD♭ Major13B86 BPM
Cavalleria rusticana: Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi)Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di MilanoA♭ Major34B126 BPM
Lucia di Lammermoor, Act II: Ah! cedi, cedi by Gaetano Donizetti, Andrea Bocelli, Mariano Buccino, Zuzana Markova, Orchestra del Teatro Carlo Felice di Genova, Andriy YurkevychLucia di Lammermoor, Act II: Ah! cedi, cediGaetano Donizetti, Andrea Bocelli, Mariano Buccino, Zuzana Markova, Orchestra del Teatro Carlo Felice di Genova, Andriy YurkevychF Major27B101 BPM
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) by Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco ArmiliatoPéchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville)Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco ArmiliatoD Minor27A94 BPM
I puritani: Qui la voce sua soave by Vincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will HumburgI puritani: Qui la voce sua soaveVincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will HumburgA♭ Major14B103 BPM
Norma / Act 1: Casta Diva by Vincenzo Bellini, Beverly Sills, Paul Plishka, John Alldis Choir, New Philharmonia Orchestra, James LevineNorma / Act 1: Casta DivaVincenzo Bellini, Beverly Sills, Paul Plishka, John Alldis Choir, New Philharmonia Orchestra, James LevineG Major19B87 BPM
ISRC
DEA340000611
Label
L-M Records/RCA Records

Section: 0.8441507816314697

End: 0.8481700420379639