"LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry)" by Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Josef Metternich/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker was released on April 12, 2013. With LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 16 in Donizetti: Lucia di Lammermoor [Electrola Querschnitte] by Walter Scott, Salvatore Cammarano, Gaetano Donizetti, Erika Köth/Josef Metternich/Gottlob Frick/Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, erste Szene: - Komm näher, Lucia (Henry) by Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Josef Metternich/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Carmen, WD 31 / Act I: Chanson et Duo: "Près des remparts de Séville" | Georges Bizet, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 76 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Adriana Lecouvreur: Act Ii L'anima Ho Stanca | Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | B Minor | 4 | 10A | 101 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | ||
Lucia di Lammermoor, Act II: Ah! cedi, cedi | Gaetano Donizetti, Andrea Bocelli, Mariano Buccino, Zuzana Markova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | F Major | 2 | 7B | 101 BPM | ||
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) | Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | D Minor | 2 | 7A | 94 BPM | ||
I puritani: Qui la voce sua soave | Vincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg | A♭ Major | 1 | 4B | 103 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Beverly Sills, Paul Plishka, John Alldis Choir, New Philharmonia Orchestra, James Levine | G Major | 1 | 9B | 87 BPM |
Section: 0.8441507816314697
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