Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano made "Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi)" available on January 1, 1966. The duration of Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) is about 3 minutes long, at 3:03. Based on our data, "Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan's "Mascagni: Cavalleria Rusticana" album is number 20 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) by Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur: Act Ii L'anima Ho Stanca | Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | B Minor | 4 | 10A | 101 BPM | ||
Tosca / Act 3: "Come è lunga l'attesta!" | Giacomo Puccini, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan | A Minor | 1 | 8A | 71 BPM | ||
Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | ||
L'elisir d'amore / Act 2: Alto! Fronte! | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Spiro Malas, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | G Major | 2 | 9B | 119 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Carmen: Act II: Votre toast | Georges Bizet, Robert Merrill, Herbert von Karajan, Wiener Philharmoniker | D♭ Major | 3 | 3B | 104 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Renato Bruson, Edita Gruberova, Neil Shicoff, Brigitte Fassbaender, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 119 BPM | ||
Puccini: Tosca, Act 3 Scene 4: "Com'è lunga l'attesa!" (Tosca) | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | ||
Il Turco in Italia / Act 2: "D'un bell'uso in Turchia" | Gioachino Rossini, Michele Pertusi, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | B Minor | 0 | 10A | 73 BPM |
Section: 0.8659820556640625
End: 0.8691675662994385