"Norma / Act 1: Casta Diva" by Vincenzo Bellini, Beverly Sills, Paul Plishka, John Alldis Choir, New Philharmonia Orchestra, James Levine was released on January 1, 2009. Since Norma / Act 1: Casta Diva is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 42 in Bellini: Norma by Vincenzo Bellini, Beverly Sills, Shirley Verrett, Enrico di Giuseppe, Paul Plishka, New Philharmonia Orchestra, James Levine, John Alldis Choir. Norma / Act 1: Casta Diva is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma / Act 1: Casta Diva by Vincenzo Bellini, Beverly Sills, Paul Plishka, John Alldis Choir, New Philharmonia Orchestra, James Levine is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cavalleria rusticana: "Il cavallo scalpita" | Pietro Mascagni, Piero Cappuccilli, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Major | 3 | 2B | 128 BPM | ||
Beatrice di Tenda: Act II Scene 5: Ite entrambi (Filippo, Agnese, Orombello, Anichino, beatrice, Choir) | Vincenzo Bellini, Camille Capasso, Lucia Aliberti, Martin Thompson, Fabio Luisi, Paolo Gavanelli, Chorus of the German Opera House Berlin, John David Dehaan, German Opera House Berlin Orchestra | C Major | 1 | 8B | 78 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell' invenzione" / Concerto No. 1 in E Major for solo violin "La Primavera: 3. Allegro | Antonio Vivaldi, Hugh Bean, New Philharmonia Orchestra, Leopold Stokowski | B♭ Minor | 0 | 3A | 65 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?" - "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Die Entführung aus dem Serail, K.384 / Act 2: "Traurigkeit ward mir zum Lose" | Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | G Minor | 0 | 6A | 56 BPM | ||
Tannhäuser / Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram) | Richard Wagner, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | C Major | 3 | 8B | 99 BPM | ||
Così fan tutte, K.588, Act I, Scene One: Recitativo: Fuor' la spada! (Guglielmo/Don Alfonso/Ferrando) | Lorenzo Da Ponte, Wolfgang Amadeus Mozart, Luigi Alva, Otto Klemperer, New Philharmonia Orchestra | C Major | 4 | 8B | 100 BPM | ||
Rhapsody In Blue: Rhapsody In Blue - Excerpt | George Gershwin, James Levine, Chicago Symphony Orchestra | E Major | 1 | 12B | 91 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM |
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