Wolfgang Amadeus Mozart, Hilde Gueden, Walter Berry, Vienna State Opera Chorus, Wiener Philharmoniker, Josef Krips made "Don Giovanni / Act 1: "Giovinette, che fate all'amore"" available on January 1, 1955. With Don Giovanni / Act 1: "Giovinette, che fate all'amore" being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Suzanne Danco, Lisa della Casa, Hilde Gueden, Anton Dermota, Walter Berry, Cesare Siepi, Fernando Corena, Vienna State Opera Chorus, Wiener Philharmoniker, Josef Krips's "Mozart: Don Giovanni" album is number 7 out of 41. In terms of popularity, Don Giovanni / Act 1: "Giovinette, che fate all'amore" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Don Giovanni / Act 1: "Giovinette, che fate all'amore" by Wolfgang Amadeus Mozart, Hilde Gueden, Walter Berry, Vienna State Opera Chorus, Wiener Philharmoniker, Josef Krips to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 1: Figlio, che fai? (Timur, Calaf, Liù, Coro) | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | D Minor | 2 | 7A | 83 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 154 BPM | ||
Otello / Act 3: Continua | Giuseppe Verdi, Mario del Monaco, Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 63 BPM | ||
Rigoletto / Act 1: Della mia bella incognita borghese | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini | A♭ Major | 0 | 4B | 119 BPM | ||
Don Giovanni, K. 527: Da qual tremore insolito | Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Chorus & Orchestra of the Théâtre National de l'Opera, Paris, Lorin Maazel | C Major | 0 | 8B | 166 BPM | ||
Lohengrin, WWV 75 / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Plácido Domingo, Hans Sotin, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 86 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Madama Butterfly / Act 2: Una nave da guerra | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 87 BPM | ||
Don Giovanni, K.527 / Act 1: "Riposate, vezzose ragazze" | Wolfgang Amadeus Mozart, Cesare Siepi, Fernando Corena, Walter Berry, Hilde Gueden, Suzanne Danco, Lisa della Casa, Anton Dermota, Wiener Philharmoniker, Josef Krips | C Major | 4 | 8B | 132 BPM | ||
Madama Butterfly / Act 2: E questo? E questo? | Giacomo Puccini, Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 171 BPM |
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