Richard Wagner, Annette Dasch, Günther Groissböck, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin's 'Lohengrin, WWV 75, Act I: Einsam in trüben Tagen (Elsa, The King)' came out on June 1, 2012. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Lohengrin by Richard Wagner, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin. The song's track number on the album is #5 out of 37 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Lohengrin, WWV 75, Act I: Einsam in trüben Tagen (Elsa, The King) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, WWV 75, Act I: Einsam in trüben Tagen (Elsa, The King) by Richard Wagner, Annette Dasch, Günther Groissböck, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin, WWV 75, Act I: Einsam in trüben Tagen (Elsa, The King) being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Pictures At An Exhibition: The Tuileries Gardens | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Minor | 0 | 2A | 105 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Norma: Overture | Vincenzo Bellini, Filarmonica della Scala, Riccardo Chailly | G Major | 2 | 9B | 144 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Ach, ich fühl's" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 69 BPM | ||
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Das Rheingold, WWV 86A / Scene 4: "Schwüles Gedünst schwebt in der Luft" | Richard Wagner, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 0 | 5B | 84 BPM |
Section: 0.9133939743041992
End: 0.9180970191955566