"Das Rheingold, WWV 86A / Scene 4: "Schwüles Gedünst schwebt in der Luft"" by Richard Wagner, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. The duration of Das Rheingold, WWV 86A / Scene 4: "Schwüles Gedünst schwebt in der Luft" is about 3 minutes long, at 3:11. Based on our data, "Das Rheingold, WWV 86A / Scene 4: "Schwüles Gedünst schwebt in der Luft"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Das Rheingold, WWV 86A / Scene 4: "Schwüles Gedünst schwebt in der Luft" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Das Rheingold, WWV 86A / Scene 4: "Schwüles Gedünst schwebt in der Luft" by Richard Wagner, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde / Act 3: "Ich bin's, ich bin's" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | F♯ Minor | 1 | 11A | 93 BPM | ||
Hungarian Dance No.14 In D Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 88 BPM | ||
Horn Concerto No. 1 in E Flat Major, Op. 11, TrV. 117: Allegro | Richard Strauss, Lars-Michael Stransky, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 177 BPM | ||
Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | F Major | 0 | 7B | 72 BPM | ||
Siegfried, WWV 86C, Act III: Ewig war ich, ewig bin ich | Richard Wagner, Simon O'Neill, Heidi Melton, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 3 | 8B | 65 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 1: Allegro maestoso (Totenfeier): Sehr mäßig und zurückhaltend | Gustav Mahler, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Wagner: Tannhäuser, Act 3: "Willkommen, ungetreuer Mann!" (Venus, Tannhäuser, Wolfram, Walther, Heinrich, Biterolf, Reinmar, Landgraf) | Richard Wagner, Daniel Barenboim, Alfred Reiter, Gunnar Gudbjörnsson, Hanno Müller-Brachmann, Peter Seiffert, René Pape, Staatskapelle Berlin, Stephan Rügamer, Thomas Hampson, Waltraud Meier | C Major | 1 | 8B | 82 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
Aida: Overture | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | D Major | 0 | 10B | 83 BPM |
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