Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen"
Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein
Brahms: Ein Deutsches Requiem Op.45
11:18 January 1, 1985
BPM
72
Key
F Major
Camelot
7B

Embed

Share Link

Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" - Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein Information

Acousticness
97%
Danceability
6%
Energy
3%
Instrumentalness
90%
Liveness
11%
Loudness
52%
Speechiness
5%
Valence
3%
Popularity
Loudness
-28.689 dB

Summary

"Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen"" by Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein was released on January 1, 1985. Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" appears to be safe for all ages as it is not explicit. The song is number 1 out of 7 in Brahms: Ein Deutsches Requiem Op.45 by Michael Haydn, Werner Ehrhardt, Riccardo Muti, Philharmonia Orchestra, Johannes Brahms, Barbara Hendricks, José van Dam, Rudolf Scholz, Wiener Singverein, Wiener Philharmoniker, Helmut Froschauer, Herbert von Karajan. Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" BPM

The tempo marking of Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" by Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato by Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary UtigerConcerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccatoGeorg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary UtigerF♯ Major02B110 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern by Richard Strauss, Berliner Philharmoniker, Herbert von KarajanAlso sprach Zarathustra, Op. 30, TrV 176: Von den HinterweltlernRichard Strauss, Berliner Philharmoniker, Herbert von KarajanA♭ Major04B78 BPM
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy) by Péter Nagy, Johannes Brahms5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy)Péter Nagy, Johannes BrahmsE♭ Major05B134 BPM
Die Schöpfung, Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Schöpfung, Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: "Die Himmel erzählen die Ehre Gottes"Franz Joseph Haydn, Gundula Janowitz, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener SingvereinC Major38B110 BPM
La forza del destino: Overture (Sinfonia) by Giuseppe Verdi, Berliner Philharmoniker, Claudio AbbadoLa forza del destino: Overture (Sinfonia)Giuseppe Verdi, Berliner Philharmoniker, Claudio AbbadoE Minor29A80 BPM
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) by George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio BonizzoniApollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne)George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio BonizzoniF♯ Major12B172 BPM
Ein deutsches Requiem, Op. 45: 5. Solo (Sopran) und Chor: Ein deutsches Requiem, Op. 45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit"Johannes Brahms, Charlotte Margiono, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerF Major07B75 BPM
Má Vlast, JB1:112: 2. Vltava by Bedřich Smetana, Berliner Philharmoniker, Herbert von KarajanMá Vlast, JB1:112: 2. VltavaBedřich Smetana, Berliner Philharmoniker, Herbert von KarajanG Major29B75 BPM
Brahms: Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich by Johannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner PhilharmonikerBrahms: Ein deutsches Requiem, Op. 45: III. Herr, lehre doch michJohannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner PhilharmonikerB♭ Major06B120 BPM
Le roi s'amuse: Final by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: FinalLéo Delibes, Slovak Philharmonic, Ondrej LenardA Minor18A94 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7791931629180908

End: 0.7823331356048584