"Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen"" by Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein was released on January 1, 1985. Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" appears to be safe for all ages as it is not explicit. The song is number 1 out of 7 in Brahms: Ein Deutsches Requiem Op.45 by Michael Haydn, Werner Ehrhardt, Riccardo Muti, Philharmonia Orchestra, Johannes Brahms, Barbara Hendricks, José van Dam, Rudolf Scholz, Wiener Singverein, Wiener Philharmoniker, Helmut Froschauer, Herbert von Karajan. Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" by Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy) | Péter Nagy, Johannes Brahms | E♭ Major | 0 | 5B | 134 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: "Die Himmel erzählen die Ehre Gottes" | Franz Joseph Haydn, Gundula Janowitz, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Major | 3 | 8B | 110 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Ein deutsches Requiem, Op. 45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Charlotte Margiono, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 0 | 7B | 75 BPM | ||
Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 75 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich | Johannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | B♭ Major | 0 | 6B | 120 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM |
Section: 0.7791931629180908
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