"Le Desert: Der Ruf des Muezzins" by Félicien David, Bruno Lazzaretti, Chor der St. Hedwigs-Kathedrale Berlin, Berlin Radio Symphony Orchestra, Guido Maria Guida was released on January 1, 1997. The duration of Le Desert: Der Ruf des Muezzins is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Le Desert: Der Ruf des Muezzins's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists, Hanns-Martin Schneidt, Guido Maria Guida's "Melodies From 1001 Nights - Rimsky-Korsakov, N.A. / David, F. / Ravel, M. / Reyer, E." album is number 10 out of 15. On top of that, United States appears to be the country where this track was created. Le Desert: Der Ruf des Muezzins is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Desert: Der Ruf des Muezzins by Félicien David, Bruno Lazzaretti, Chor der St. Hedwigs-Kathedrale Berlin, Berlin Radio Symphony Orchestra, Guido Maria Guida to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
The New Four Seasons - Winter: I. Freezing and Shivering (After Violin Concerto No. 4, Op. 8, RV 297, I. Allegro non molto, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique | Benjamin Britten, Ensemble Allegria | A Minor | 0 | 8A | 83 BPM | ||
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
19 Polish Songs, Op. 74: No. 2. Wiosna | Frédéric Chopin, Olga Pasichnyk, Natalya Pasichnyk | F Major | 2 | 7B | 133 BPM | ||
Herculanum, Acte I Scène 5: Hélios! Obéis | Félicien David, Flemish Radio Choir, Brussels Philharmonic, Herve Niquet, Karine Deshayes, Edgaras Montvidas | D Major | 1 | 10B | 76 BPM | ||
Verdi: La traviata, Act 2: "Di Provenza il mar" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Graham Sheen, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM | ||
Handel: Messiah, HWV 56, Pt. 1: No. 12, Pastoral Symphony "Pifa" | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 83 BPM |
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