Félicien David, Flemish Radio Choir, Brussels Philharmonic, Herve Niquet, Karine Deshayes, Edgaras Montvidas's 'Herculanum, Acte I Scène 5: Hélios! Obéis' came out on September 4, 2015. With Herculanum, Acte I Scène 5: Hélios! Obéis being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 18 out of 57 in David: Herculanum by Félicien David, Flemish Radio Choir, Brussels Philharmonic, Herve Niquet. Herculanum, Acte I Scène 5: Hélios! Obéis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Herculanum, Acte I Scène 5: Hélios! Obéis by Félicien David, Flemish Radio Choir, Brussels Philharmonic, Herve Niquet, Karine Deshayes, Edgaras Montvidas is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM | ||
Christophe Colomb, Acte I "Le départ": IX. Récit "Le bronze du navire, au bronze du rempart" | Félicien David, Jean-Marie Winling, Les Siècles, François-Xavier Roth | B♭ Major | 1 | 6B | 104 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Major | 2 | 8B | 80 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 6 - Sostenuto | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
Messa di Gloria: II. Gloria | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | E♭ Major | 1 | 5B | 66 BPM | ||
Mai | Reynaldo Hahn, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Requiem, Op. 9: Domine Jesu Christe | Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić | G Minor | 2 | 6A | 176 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
Summer Night - Suite from 'The Duenna', Op. 123: 4. Dream | Bournemouth Symphony Orchestra, Paavo Berglund | F Major | 1 | 7B | 67 BPM |
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