"Act I: Se quel guerrier io fossi ... Celeste Aida" by Giuseppe Verdi, Enrico Caruso, Walter B. Rogers was released on March 2, 1987. With this song being about 5 minutes long, at 4:48, "Act I: Se quel guerrier io fossi ... Celeste Aida" by Giuseppe Verdi, Enrico Caruso, Walter B. Rogers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 21 Arias, so we believe that "Act I: Se quel guerrier io fossi ... Celeste Aida" is a single. Based on our statistics, Act I: Se quel guerrier io fossi ... Celeste Aida's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act I: Se quel guerrier io fossi ... Celeste Aida by Giuseppe Verdi, Enrico Caruso, Walter B. Rogers is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Rigoletto / Act III: La donna è mobile | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 1 | 1B | 168 BPM | ||
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Rigoletto / Act 1: "Zitti, zitti...Soccorso, padre mio" | Giuseppe Verdi, Joan Sutherland, Sherrill Milnes, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 87 BPM | ||
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
Falstaff: Act III: Una, due, tre .... | Giuseppe Verdi, Anna Bonitatibus, Maurizio Comencini, Alessandro Cosentino, Franco de Grandis, Dilber, Enrico Facini, Julia Faulkner, Anna Maria di Micco, Roberto Servile, Domenico Trimarchi, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Will Humburg | D♭ Major | 0 | 3B | 82 BPM |
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