- BPM
- 82
- Key
- E Major
- Camelot
- 12B
Otello / Act 4: "Mia madre aveva...Piangea cantando...Ave Maria" - Giuseppe Verdi, Renata Tebaldi, Luisa Ribacchi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede Information
- Acousticness
- 98%
- Danceability
- 14%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 30%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -17.18 dB
Summary
"Otello / Act 4: "Mia madre aveva...Piangea cantando...Ave Maria"" by Giuseppe Verdi, Renata Tebaldi, Luisa Ribacchi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede was released on January 1, 1993. Otello / Act 4: "Mia madre aveva...Piangea cantando...Ave Maria" appears to be safe for all ages as it is not explicit. The track order of this song in Renata Tebaldi's "Grandi Voci: Renata Tebaldi" album is number 6 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Otello / Act 4: "Mia madre aveva...Piangea cantando...Ave Maria" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Otello / Act 4: "Mia madre aveva...Piangea cantando...Ave Maria" BPM
We consider the tempo marking of Otello / Act 4: "Mia madre aveva...Piangea cantando...Ave Maria" by Giuseppe Verdi, Renata Tebaldi, Luisa Ribacchi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
Otello / Act 4: "Mia madre aveva...Piangea cantando...Ave Maria" Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nabucco / Act 2: Salgo già del trono aurato | Giuseppe Verdi, Ghena Dimitrova, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 4 | 8B | 81 BPM | |
 | Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | |
 | Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | |
 | L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | |
 | Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | |
 | Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | |
 | Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | |
 | Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | |
 | Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | |
 | Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM |
- ISRC
- GBF075410050
- Label
- L-M Records/RCA Records
Section: 0.6838080883026123
End: 0.6904573440551758