On January 1, 1992, the song "Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Var. I: Più mosso" was released by Gioachino Rossini, Charles Neidich, Orpheus Chamber Orchestra. With Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Var. I: Più mosso being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weber: Clarinet Concertos / Rossini: Introduction, Theme and Variations by Charles Neidich, Orpheus Chamber Orchestra. The song's track number on the album is #9 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Var. I: Più mosso is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Var. I: Più mosso by Gioachino Rossini, Charles Neidich, Orpheus Chamber Orchestra has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Var. I: Più mosso being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt: Ode to Joy) | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | D Major | 5 | 10B | 78 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
Petite messe solennelle: Credo: Petite messe solennelle: Credo: III. Et resurrexit | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | E Major | 1 | 12B | 130 BPM | ||
Norma: Sinfonia | Vincenzo Bellini, Welsh National Opera Orchestra, Richard Bonynge | G Major | 1 | 9B | 140 BPM | ||
Die Walküre / Dritter Aufzug: "Hojotoho! Heiaha!" | Richard Wagner, Vera Schlosser, Berit Lindholm, Brigitte Fassbaender, Helen Watts, Helga Dernesch, Vera Little, Claudia Hellmann, Marilyn Tyler, Wiener Philharmoniker, Sir Georg Solti | G Major | 3 | 9B | 143 BPM |
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