Lohengrin, WWV 75, Act III: Prelude
Richard Wagner, Marek Janowski, Rundfunk-Sinfonieorchester Berlin
Wagner: Lohengrin
3:08 June 1, 2012
BPM
86
Key
G Major
Camelot
9B

Embed

Share Link

Lohengrin, WWV 75, Act III: Prelude - Richard Wagner, Marek Janowski, Rundfunk-Sinfonieorchester Berlin Information

Acousticness
95%
Danceability
17%
Energy
27%
Instrumentalness
97%
Liveness
17%
Loudness
71%
Speechiness
4%
Valence
15%
Popularity
Loudness
-17.513 dB

Summary

"Lohengrin, WWV 75, Act III: Prelude" by Richard Wagner, Marek Janowski, Rundfunk-Sinfonieorchester Berlin was released on June 1, 2012. The duration of Lohengrin, WWV 75, Act III: Prelude is about 3 minutes long, at 3:08. Based on our data, "Lohengrin, WWV 75, Act III: Prelude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Lohengrin by Richard Wagner, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin. The song's track number on the album is #1 out of 37 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Lohengrin, WWV 75, Act III: Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lohengrin, WWV 75, Act III: Prelude BPM

Since Lohengrin, WWV 75, Act III: Prelude by Richard Wagner, Marek Janowski, Rundfunk-Sinfonieorchester Berlin has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin, WWV 75, Act III: Prelude being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.

Lohengrin, WWV 75, Act III: Prelude Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Beethoven: Symphony No. 6 in F Major, Op. 68 Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro -Ludwig van Beethoven, Philadelphia Orchestra, Riccardo MutiG Major09B127 BPM
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro by Johannes Brahms, Wiener Philharmoniker, Carlos KleiberSymphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegroJohannes Brahms, Wiener Philharmoniker, Carlos KleiberF♯ Major72B129 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzF Major17B83 BPM
Symphony No. 3 in F Major, Op. 90: IV. Allegro by Johannes Brahms, David ZinmanSymphony No. 3 in F Major, Op. 90: IV. AllegroJohannes Brahms, David ZinmanF Major17B80 BPM
Requiem: X. Lacrymosa by Giuseppe Verdi, Sir Colin Davis, Stuart Neill, John Relyea, Christine Brewer, Karen Cargill, London Symphony OrchestraRequiem: X. LacrymosaGiuseppe Verdi, Sir Colin Davis, Stuart Neill, John Relyea, Christine Brewer, Karen Cargill, London Symphony OrchestraB♭ Minor13A83 BPM
La Cenerentola: Overture (Sinfonia) by Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyLa Cenerentola: Overture (Sinfonia)Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyA Minor18A116 BPM
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major by Edward Elgar, London Philharmonic Orchestra, Sir Georg SoltiPomp and Circumstance Marches, Op. 39: March No. 4 in G MajorEdward Elgar, London Philharmonic Orchestra, Sir Georg SoltiG Major39B118 BPM
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) by Hector Berlioz, Hungarian National Philharmonic, Ádám FischerLa damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits)Hector Berlioz, Hungarian National Philharmonic, Ádám FischerD Major010B80 BPM
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleDie tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul)Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleB♭ Major16B83 BPM
Die Walküre / Zweiter Aufzug: Die Walküre / Zweiter Aufzug: "Hinweg! Hinweg! Flieh die Entweihte!"Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg SoltiF Major17B77 BPM
ISRC
NLE421101027
Label
L-M Records/RCA Records

Section: 0.7535414695739746

End: 0.7571706771850586