"Die Walküre / Zweiter Aufzug: "Hinweg! Hinweg! Flieh die Entweihte!"" by Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. Since Die Walküre / Zweiter Aufzug: "Hinweg! Hinweg! Flieh die Entweihte!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #12. Die Walküre / Zweiter Aufzug: "Hinweg! Hinweg! Flieh die Entweihte!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Walküre / Zweiter Aufzug: "Hinweg! Hinweg! Flieh die Entweihte!" by Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg Solti having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristia, Op.18: 3. Marche funèbre pour la dernière scène d'Hamlet | Hector Berlioz, Cleveland Orchestra, Pierre Boulez, The Cleveland Orchestra Chorus, Gareth Morrell | A Minor | 1 | 8A | 82 BPM | ||
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": I. Allegro | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 101 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Wagner: Der fliegende Holländer (The Flying Dutchman), Overture to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | A Major | 1 | 11B | 164 BPM | ||
Rusalka, Op. 114 / Act 1: Hou, hou, hou, stojí mésic nad vodou! | Antonín Dvořák, Dana Buresova, Hana Minutillo, Livia Aghova, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
Rigoletto: Overture (Preludio) | Giuseppe Verdi, London Symphony Orchestra, Richard Bonynge | C Major | 0 | 8B | 72 BPM |
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