Franz Liszt, Max Loy, Nürnberg Symphony Orchestra made "Rakoczy March" available on January 1, 2009. With this song being about 5 minutes long, at 4:52, "Rakoczy March" by Franz Liszt, Max Loy, Nürnberg Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Nuremberg Symphony Orchestra's "Liszt: Les Preludes - Tasso - Other Orchestra Works" album is number 4 out of 4. On top of that, United States appears to be the country where this track was created. In terms of popularity, Rakoczy March is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Rakoczy March by Franz Liszt, Max Loy, Nürnberg Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 14 in E Flat | Niccolò Paganini, Itzhak Perlman | E♭ Major | 2 | 5B | 99 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | B♭ Major | 3 | 6B | 93 BPM | ||
Mazurka No. 3, F-Dur, op. 68 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | F Major | 0 | 7B | 73 BPM | ||
Concerto for Piano & Orchestra No. 2 in F Minor, Op. 21: III. Allegro Vivace | Frédéric Chopin, Libor Pešek, Slovak Philharmonic, Marian Pivka | F Minor | 1 | 4A | 105 BPM | ||
Impromptu "Nocturne", S. 191 | Franz Liszt, Vladimir Horowitz | D♭ Minor | 2 | 12A | 70 BPM | ||
Lalo: Symphonie espagnole, Op. 21: II. Scherzando (Allegro molto) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | G Major | 0 | 9B | 103 BPM | ||
Mozart: Symphony No.40 in g minor, K550 Ⅰ-Molto Allegro | CHA Medical Center | G Minor | 2 | 6A | 122 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Torleif Thedéen, Malmö Symphony Orchestra, Lev Markiz | A♭ Major | 4 | 4B | 159 BPM | ||
Paraphrase de concert sur Rigoletto, S. 434: Verdi - Rigoletto: Paraphrase de concert , S. 434/R. 267 | Franz Liszt, Alexandre Dossin | F Minor | 1 | 4A | 117 BPM |
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