"Cello Concerto in E Minor, Op. 85: III. Adagio" by Edward Elgar, Torleif Thedéen, Malmö Symphony Orchestra, Lev Markiz was released on August 31, 1991. Cello Concerto in E Minor, Op. 85: III. Adagio is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Schumann / Elgar: Cello Concertos". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Cello Concerto in E Minor, Op. 85: III. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto in E Minor, Op. 85: III. Adagio by Edward Elgar, Torleif Thedéen, Malmö Symphony Orchestra, Lev Markiz having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soirees a Saint-Petersbourg, Op. 44: No. 1. Romance in E-Flat Major (arr. for string ensemble) | Anonymous, Anton Rubinstein, Budapest Strings, Béla Bánfalvi | E♭ Major | 0 | 5B | 106 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
Bruch: Scottish Fantasy, Op. 46: IV. Finale. Allegro guerriero | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
4 Romantic Pieces, Op. 75, B.150: 1. Allegro moderato | Antonín Dvořák, Akiko Suwanai, Boris Berezovsky | D♭ Major | 0 | 3B | 74 BPM | ||
Concerto In F Minor: Largo | Johann Sebastian Bach, Karen Englund & Societas Musica Chamber Orchestra | A♭ Major | 0 | 4B | 94 BPM | ||
String Quartet in F, H.III No.17, Op.3 No.5 - "Serenade": 2. Andante cantabile | Roman Hoffstetter, I Musici | C Major | 0 | 8B | 88 BPM | ||
F-A-E Sonata, WoO 22: II. Intermezzo (Arr. G. Schwabe for Cello & Piano) | Robert Schumann, Gabriel Schwabe, Nicholas Rimmer | D Major | 1 | 10B | 95 BPM | ||
Le Carnaval des Animaux - Arr. piano duet and orchestra: 1. Introduction and Royal March of the Lion | Camille Saint-Saëns, Nicholas Walker, Laura O'Gorman, Philharmonia, Philip Ellis | G Major | 3 | 9B | 108 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 7. Troyte (Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 5 | 8B | 157 BPM |
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