Roman Hoffstetter, I Musici's 'String Quartet in F, H.III No.17, Op.3 No.5 - "Serenade": 2. Andante cantabile' came out on January 1, 1983. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Pachelbel: Canon / Mozart: Eine kleine Nachtmusik / Albinoni: Adagio". In this album, this song's track order is #5. String Quartet in F, H.III No.17, Op.3 No.5 - "Serenade": 2. Andante cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet in F, H.III No.17, Op.3 No.5 - "Serenade": 2. Andante cantabile by Roman Hoffstetter, I Musici having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Concerto a 5 in F Major, Op. 9, No. 3 for 2 Oboes, Strings, and Continuo: 2. Adagio | Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici, Maria Teresa Garatti | D Minor | 2 | 7A | 83 BPM | ||
Concerto for Oboe d'amore, Strings and Continuo in A: 2. Affettuoso | Antonio Lotti, Heinz Holliger, I Musici | E Major | 1 | 12B | 82 BPM | ||
Holberg Suite, Op. 40: I. Präludium (Allegro vivace) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 134 BPM | ||
Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: II. Andante con moto | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | A Minor | 0 | 8A | 80 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | ||
Concerto for Oboe, Strings and Basso Continuo in G Minor, Op. 8 No. 5: II. Allegro assai - Adagio | Giuseppe Sammartini, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | B♭ Major | 2 | 6B | 120 BPM | ||
Oboe Concerto in D: 3. Allegro | Giovanni Battista Sammartini, Heinz Holliger, I Musici | D Major | 2 | 10B | 120 BPM | ||
Les Sylphides: 6. Prélude | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | A Major | 0 | 11B | 138 BPM | ||
Serse (Xerxes), HWV 40: Act I. Ombra mai fu "Largo" | London Symphony Orchestra | G Major | 1 | 9B | 88 BPM |
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