"Concerto for Piano & Orchestra No. 2 in F Minor, Op. 21: III. Allegro Vivace" by Frédéric Chopin, Libor Pešek, Slovak Philharmonic, Marian Pivka was released on January 1, 2009. Since Concerto for Piano & Orchestra No. 2 in F Minor, Op. 21: III. Allegro Vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 6 in Chopin: Piano Concertos by Frédéric Chopin, Libor Pešek, Slovak Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Concerto for Piano & Orchestra No. 2 in F Minor, Op. 21: III. Allegro Vivace is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Piano & Orchestra No. 2 in F Minor, Op. 21: III. Allegro Vivace by Frédéric Chopin, Libor Pešek, Slovak Philharmonic, Marian Pivka is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prelude | Johann Sebastian Bach, Jörg Metzger | G Major | 2 | 9B | 117 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Preliudai (Preludes): Dainele: Grave | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro | Johann Sebastian Bach, Philharmonia Slavonica, Karel Brazda, Various Artists | G Minor | 1 | 6A | 171 BPM | ||
Children's Corner: I. Doctor Gradus Ad Parnassum | Peter Schmalfuss | D Minor | 0 | 7A | 68 BPM | ||
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Claude Debussy, Monique Haas | D♭ Minor | 0 | 12A | 81 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Torleif Thedéen, Malmö Symphony Orchestra, Lev Markiz | A♭ Major | 4 | 4B | 159 BPM |
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