- BPM
- 81
- Key
- F♯ Major
- Camelot
- 2B
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" - Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis Information
- Acousticness
- 97%
- Danceability
- 12%
- Energy
- 27%
- Instrumentalness
- 1%
- Liveness
- 18%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 19%
- Popularity
- 15%
- Loudness
- -15.189 dB
Summary
"La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano"" by Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis was released on January 1, 2013. The duration of La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "Pavarotti The 50 Greatest Tracks". In this album, this song's track order is #17. La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" BPM
With La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" by Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" Key
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | |
 | Così fan tutte ossia La scuola degli amanti, K.588 - (L. da Ponte) - Act 1: "Soave sia il vento" | Wolfgang Amadeus Mozart, Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 2 | 12B | 74 BPM | |
 | Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | |
 | Madame Butterfly - Grosser Querschnitt: Seht ihr! da sind sie | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | A♭ Minor | 1 | 1A | 100 BPM | |
 | Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | |
 | Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Marilyn Horne, Wiener Opernorchester, Henry Lewis | D♭ Major | 3 | 3B | 174 BPM | |
 | Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | |
 | Carmen, WD 31 / Act 2: "La fleur que tu m'avais jetée" | Jonas Kaufmann, Georges Bizet, Prague Philharmonic Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 91 BPM | |
 | Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise | D Major | 1 | 10B | 132 BPM | |
 | Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") | Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra | F♯ Major | 1 | 2B | 93 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6697032451629639
End: 0.6732587814331055