Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon")
Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra
Dvorák In Prague: A Celebration (Remastered)
6:54 1994
BPM
93
Key
F♯ Major
Camelot
2B

Embed

Share Link

Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") - Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra Information

Acousticness
97%
Danceability
17%
Energy
7%
Instrumentalness
0%
Liveness
12%
Loudness
63%
Speechiness
5%
Valence
4%
Popularity
Loudness
-22.126 dB

Summary

"Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon")" by Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra was released on 1994. Since Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 11 in Dvorák In Prague: A Celebration (Remastered) by Antonín Dvořák, Yo-Yo Ma. In terms of popularity, Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") BPM

The tempo marking of Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") by Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Delizie contente by Francesco Cavalli, Cecilia Bartoli, György FischerDelizie contenteFrancesco Cavalli, Cecilia Bartoli, György FischerF Minor14A92 BPM
Vocalise, Op. 34, No. 14 - Version For Cello And Piano by Sergei Rachmaninoff, Mischa Maisky, Pavel GililovVocalise, Op. 34, No. 14 - Version For Cello And PianoSergei Rachmaninoff, Mischa Maisky, Pavel GililovE Minor89A128 BPM
O cessate di piagarmi (from Il Pompeo) by Alessandro Scarlatti, Cecilia Bartoli, György FischerO cessate di piagarmi (from Il Pompeo)Alessandro Scarlatti, Cecilia Bartoli, György FischerE Minor09A68 BPM
L'Heure exquise by Reynaldo Hahn, Susan GrahamL'Heure exquiseReynaldo Hahn, Susan GrahamD♭ Major03B79 BPM
Holberg Suite, Op. 40 (Orch. Grieg): I. Praeludium. Allegro vivace by Edvard Grieg, Mito Chamber Orchestra, Seiji OzawaHolberg Suite, Op. 40 (Orch. Grieg): I. Praeludium. Allegro vivaceEdvard Grieg, Mito Chamber Orchestra, Seiji OzawaG Major29B130 BPM
Dido and Aeneas / Act III: Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth"Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor PinnockG Minor16A82 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energicoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigG Major29B90 BPM
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?"Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger NorringtonF♯ Major02B103 BPM
L'elisir d'Amor: Una furtiva lagrima by Carlo BergonziL'elisir d'Amor: Una furtiva lagrimaCarlo BergonziF Minor34A63 BPM
Lakmé / Act 2: Lakmé / Act 2: "Où va la jeune Indoue" (Bell song)Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius MeisterD Minor17A168 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.9786841869354248

End: 0.9824111461639404