"O cessate di piagarmi (from Il Pompeo)" by Alessandro Scarlatti, Cecilia Bartoli, György Fischer was released on January 1, 1992. The duration of O cessate di piagarmi (from Il Pompeo) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. O cessate di piagarmi (from Il Pompeo)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 21 in Cecilia Bartoli - Arie Antiche: Se tu m'ami by Cecilia Bartoli, György Fischer. O cessate di piagarmi (from Il Pompeo) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O cessate di piagarmi (from Il Pompeo) by Alessandro Scarlatti, Cecilia Bartoli, György Fischer is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Léocadia, FP 106: Les chemins de l'amour | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | D♭ Major | 1 | 3B | 83 BPM | ||
Don Giovanni, K. 527 / Act 2: "Vedrai, carino" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
La Resurrezione (1708), HWV 47: "Disserratevi oh porte d'Averno" | George Frideric Handel, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 5 | 3B | 127 BPM | ||
Scarlatti,A: La Giuditta: "Dormi, o fulmine di guerra" (Nutrice) | Alessandro Scarlatti, Philippe Jaroussky | D♭ Major | 0 | 3B | 67 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Verdi: La traviata, Act 1: "Ah, fors'è lui" (Violetta) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI | F Major | 1 | 7B | 86 BPM | ||
Aragonese | Gioachino Rossini, Cecilia Bartoli, James Levine | D Minor | 2 | 7A | 94 BPM | ||
L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM | ||
Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM |
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