"Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix"" by Camille Saint-Saëns, Marilyn Horne, Wiener Opernorchester, Henry Lewis was released on October 29, 1968. Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 9 out of 9 in Arias From French Operas by Marilyn Horne, Wiener Opernorchester, Henry Lewis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" by Camille Saint-Saëns, Marilyn Horne, Wiener Opernorchester, Henry Lewis is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 4: "Vecchia zimarra, senti" (Colline/Schaunard) | Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | D♭ Minor | 1 | 12A | 85 BPM | ||
Fidelio, Op. 72: Act I: Finale: O welche Lust, in freier Luft den Atem leicht zu heben!, "Prison Chorus" | Ludwig van Beethoven, Reiner Goldberg, Bulgarian National Svetoslav Obretenov Choir, Budapest Symphony Orchestra, Sofia Philharmonic Orchestra, Staatskapelle Berlin, Tamas Pal, Siegfried Kurz, Georgi Robev | D♭ Major | 0 | 3B | 62 BPM | ||
Songs of the Auvergne, Book I: 2. Baïlèro | Joseph Canteloube, Sara Macliver, Brett Kelly, Queensland Symphony Orchestra | B♭ Major | 1 | 6B | 92 BPM | ||
Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin Hoherman | B♭ Major | 0 | 6B | 78 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Massenet: Le Cid, Act 3: "O Souverain, Ô Juge, Ô Père" (Rodrigue) | Jules Massenet, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | G Major | 2 | 9B | 71 BPM | ||
Da Tempeste Il Legno Infranto (Cleopatre, Giulio Cesare) | George Frideric Handel, Maria Bayo, Capriccio Stravagante, Skip Sempé | E♭ Major | 3 | 5B | 129 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 107 BPM | ||
Carmen (1997 - Remaster), Act I: Sur la place | Georges Bizet, Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 105 BPM |
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