"Sylvia: Act III: Le temple de Diane (Final)" by Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia was released on January 17, 1996. The duration of Sylvia: Act III: Le temple de Diane (Final) is about 3 minutes long, at 3:05. Based on our data, "Sylvia: Act III: Le temple de Diane (Final)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 33 in Delibes: Sylvia (Complete Ballet) / Saint-Saens: Henry Viii by Léo Delibes, Razumovsky Symphony Orchestra. Sylvia: Act III: Le temple de Diane (Final) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sylvia: Act III: Le temple de Diane (Final) by Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Paulli: The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (a) Duet between Carelis and Eleonore | Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | D Major | 0 | 10B | 81 BPM | ||
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: III. German: Andante | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 58 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Der Liebeszauber: Feuertanz | Manuel de Falla, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | E Major | 1 | 12B | 140 BPM | ||
Tantseval'naya syuita (Dance Suite): Lezghinka | Aram Khachaturian, Moscow Symphony Orchestra, Dmitry Yablonsky | E Minor | 0 | 9A | 83 BPM | ||
La pentola magica, P. 129: Finale | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Coppelia: Act I - Czardas-Danse hongroise | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 139 BPM | ||
組曲 展覧会の絵, 死者と共に死者の言葉を持って | Modest Mussorgsky, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | B Major | 0 | 1B | 66 BPM |
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