Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia's 'Coppelia: Act I - Czardas-Danse hongroise' came out on December 13, 1995. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 43 in Delibes: Coppelia (Complete Ballet) / La Source Suites by Léo Delibes. Based on our statistics, Coppelia: Act I - Czardas-Danse hongroise's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Coppelia: Act I - Czardas-Danse hongroise by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
Suite in E Major, P. 51: II. Adagio | Ottorino Respighi, Slovak Radio Symphony Orchestra, Adriano | D Major | 1 | 10B | 55 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Second Intermezzo | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | B Major | 1 | 1B | 122 BPM | ||
Lakmé / Act 2: Lakmé! Lakmé! C'est toi! | Léo Delibes, Alain Vanzo, Dame Joan Sutherland, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | A♭ Major | 1 | 4B | 169 BPM | ||
Scottish Rhapsody | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | D♭ Major | 2 | 3B | 142 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 17 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | F♯ Minor | 1 | 11A | 116 BPM | ||
Guatemala: "Fortunate Guatemala!…" (Olympic version) | Rafael Alvarez Ovalle, Slovak Radio Symphony Orchestra, Peter Breiner | G Major | 2 | 9B | 83 BPM | ||
Giselle: Act I: Andante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 129 BPM |
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