"Carmen Suite: VIII. Bolero (after G. Bizet): Second Intermezzo" by Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar was released on October 7, 1994. The duration of Carmen Suite: VIII. Bolero (after G. Bizet): Second Intermezzo is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Carmen Suite: VIII. Bolero (after G. Bizet): Second Intermezzo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Shchedrin: Carmen Suite / Concerto for Orchestra". In this album, this song's track order is #7. Based on our statistics, Carmen Suite: VIII. Bolero (after G. Bizet): Second Intermezzo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen Suite: VIII. Bolero (after G. Bizet): Second Intermezzo by Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite: VIII. Bolero (after G. Bizet): Changing of the Guard | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 1 | 9B | 114 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 17, — | Sergei Rachmaninoff, Fanya Lin, Theodore Kuchar, Polish Wieniawski Philharmonic Orchestra | F Major | 1 | 7B | 122 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: III. Quarrel | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 14, L'istesso tempo | Sergei Rachmaninoff, Fanya Lin, Theodore Kuchar, Polish Wieniawski Philharmonic Orchestra | B♭ Major | 4 | 6B | 100 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 78 BPM | ||
The Noon Witch, Op. 108 | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | B Minor | 1 | 10A | 72 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
On the Dnieper Suite, Op. 51bis: III. The Betrothal | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 1 | 10B | 128 BPM |
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