"Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino" by Alexander Borodin, Leonard Bernstein, New York Philharmonic was released on November 17, 2017. The duration of Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Polovetsian Dances and other Russian Favorites (Remastered)". In this album, this song's track order is #2. Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino by Alexander Borodin, Leonard Bernstein, New York Philharmonic having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, I. Allegro | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 95 BPM | ||
Beethoven: Egmont, Op. 84: Overture | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 3 | 4B | 106 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivace | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
Guillaume Tell: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | E Major | 2 | 12B | 96 BPM |
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