Evergreen Symphony Orchestra, Kevin Galiè's 'La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda"' came out on February 26, 2018. The duration of La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" is about 3 minutes long, at 3:22. Based on our data, "La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 14 out of 53. In terms of popularity, La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" by Evergreen Symphony Orchestra, Kevin Galiè to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harlequinade: Pas de deux: Female Variation | Riccardo Eugenio Drigo, Charles Mathews | A Major | 1 | 11B | 105 BPM | ||
Symphony No. 2 in E-Flat Major: I. Allegro | Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss | E♭ Major | 1 | 5B | 105 BPM | ||
Symphony No. 3 in D Minor, Op. 41: I. Allegro | Franz Paul Lachner, Evergreen Symphony Orchestra, Gernot Schmalfuss | D Minor | 2 | 7A | 130 BPM | ||
Ancient Airs And Dances, Suite No. 3, [P. 172]: 4. Passacaglia | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 3 | 6A | 116 BPM | ||
Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | F Major | 1 | 7B | 81 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 46: I. Allegro moderato | Henri Vieuxtemps, Wen-Sinn Yang, Evergreen Symphony Orchestra, Gernot Schmalfuss | C Major | 2 | 8B | 119 BPM | ||
Adam: Giselle, Act 1: No. 5 Variation I | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A Major | 2 | 11B | 77 BPM | ||
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Les Sylphides: 7. Valse in C♯ minor, Op. 64, No. 2 | Frédéric Chopin, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 100 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM |
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