"Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt"" by Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra was released on May 1, 1989. The duration of Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Shostakovich: Ballet Suites Nos. 1-3". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" by Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): I. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Major | 0 | 8B | 96 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Henry VIII: Idylle ecossaise | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 93 BPM | ||
Jazz Suite No. 2: 6. Waltz II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 2 | 5A | 89 BPM | ||
Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): V. Waltz - Scherzo/ Valse-plaisanterie | Lev Atovmyan, Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey | F♯ Major | 3 | 2B | 112 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Hunters approach with their guns | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 106 BPM |
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