Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra's 'Etudes: XI. Small leaps' had a release date set for February 1, 1996. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Riisager: Etudes". In this album, this song's track order is #17. Based on our statistics, Etudes: XI. Small leaps's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Etudes: XI. Small leaps by Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16e, Pas de deux de Fanny Elssler. Coda | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 3 | 7B | 151 BPM | ||
Coppélia: Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 89 BPM | ||
Giselle: Act II: Variation 1: Andante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 2 | 5B | 97 BPM | ||
La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
Namouna, Suite No.2: 5. Danse des esclaves | Édouard Lalo, Royal Philharmonic Orchestra, Yondani Butt | A Major | 2 | 11B | 51 BPM | ||
Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM | ||
Etudes: Va. Mirror dance | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | E Major | 0 | 12B | 81 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.7 in C Minor (Allegro assai) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Minor | 2 | 5A | 134 BPM | ||
Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 92 BPM | ||
Act II. Waltz, Odetta's variations, the Dance of the small swans | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A Major | 0 | 11B | 181 BPM |