Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth's 'La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise' came out on September 1, 1986. The duration of La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise is about 3 minutes long, at 3:21. Based on our data, "La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Herman Severin Løvenskiold, Kim Sjøgren, David Garforth's "Lovenskiold: Sylphide (La)" album is number 6 out of 17. La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise by Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppelia Ballet Suite: Notturno | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 80 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): IV. Coda | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 128 BPM | ||
Le Corsaire: Pas d Esclave - Coda | Prince Pyotr Von Oldenburg, English National Ballet Philharmonic, Gavin Sutherland | E Major | 1 | 12B | 143 BPM | ||
Etudes: V. Port de bras et pas de badin | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 100 BPM | ||
The Red Poppy, Op. 70: V. Valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 1 | 10B | 163 BPM | ||
Le carnaval des animaux, R. 125: X. Volières | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 5 | 8B | 100 BPM | ||
Etudes: VII. Pirouettes | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 79 BPM | ||
Le Corsaire: Act II - "10. Conrad Frees Slaves; Fight: Conrad, Birbanto" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | C Major | 1 | 8B | 81 BPM | ||
Raymonda, Act III: Coda | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 4 | 7A | 166 BPM | ||
Espada Suite: II. Boléro | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | E Minor | 2 | 9A | 133 BPM |
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