On January 1, 1996, the song "Raymonda, Act III: Coda" was released by Alexander Glazunov, Kivov Orchestra, Viktor Fedotov. The duration of Raymonda, Act III: Coda is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Raymonda, Act III: Coda's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Glazunov, Kivov Orchestra, Viktor Fedotov's "Glazunov: Raymonda" album is number 28 out of 59. The popularity of Raymonda, Act III: Coda is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Raymonda, Act III: Coda by Alexander Glazunov, Kivov Orchestra, Viktor Fedotov to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
La Bayadere, Act III: 44. "Variation - 1st Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 111 BPM | ||
Les Sylphides: 7. Valse in C♯ minor, Op. 64, No. 2 | Frédéric Chopin, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 100 BPM | ||
Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
Pskovityanka (The Maid of Pskov): Entr'acte to Act III: Street Scene | Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin | G Major | 0 | 9B | 120 BPM | ||
Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
Paquita: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 169 BPM |
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